Showing posts with label realism. Show all posts
Showing posts with label realism. Show all posts

Sunday, May 17, 2009

Tioga Pass, Late Spring Storm


Lest you think I've given up oil painting, here is the first oil painting of 2009, titled "Tioga Pass, Late Spring Storm".

This is from a photo that my husband Tony shot on a trip to Yosemite. We crossed Tioga pass on Memorial Day weekend, when the pass was newly opened for the summer. We stopped at a small turnout next to a brook and Tony decided to take the shot. He set up his camera, but a storm was brewing and there was no sunlight to pop the brights in the view. So he waited, and waited....when I woke up an hour later Tony was still waiting for the light. The temp had fallen toward freezing, and he was wearing shorts! I was greeted by the view of the photographer doing jumping jacks to keep from freezing solid. Finally Tony took his shot and we raced down the pass to Lee Vining on the east side. That night it snowed and the pass closed for 3 days.

Trunk Show

This is a "quickie" from my watercolor class. We were practicing painting loosely, "like a child". Well, I'm never loose, but I did think this was fun. You are not crazy, one tusk is much longer than the other. This old boy had a broken tusk.

Feral Chicken

This is better than those humans! Meet the Feral Chicken. These chickens wander the roadsides of Hawaii and are completely wild. I love the gaudy plumage and iridescent tail feathers. I met one of these chickens recently at the Burbank Animal Shelter. I have no idea how he made it to the mainland. Despite the color saturation, this is a watercolor.

Bahamas


Watercolor of islands in the Bahamas. I was pleased with the quality of transparency in the water in this painting. Also the abstract quality of the light and dark in the palm tree.

Sunday, April 19, 2009

Tiger Lily

This was a fun little exercise from art class. I didn't get the reflections of the tiger in the water, but the abstract background came out very interesting. I may do this one again, larger, some day. The hard part was getting the eye to look catlike.

Monday, February 25, 2008

Schuler House

I received a field watercolor painting kit for Christmas, and put it to immediate use. This is a picture for fellow artist Ellen Shipley and her husband Bill, who runs a computer software company called Schuyler House. The castle in the rear of the picture is the Schuyler House symbol. The sheep in the foreground are a reminder that Ellen began her art career as a fibre artist/weaver. Can you spot the poodle in sheeps clothing, a slight slip of the paint brush? This 5x7" watercolor is in the private collection of Ellen & Bill Shipley.

Windmills

The first of the 3 paintings done in one day. This is larger, 11x14. I was happy that I managed to preserve whites around the windows and railing and the buildings actually have some sense of roundness. I was not happy with the bland, solid light blue sky that was in the picture. One thing you learn as an artist is that it is sometimes necessary to enhance what you see, to make a better composition. My husband recommended that I add some clouds to improve the balance of the painting. I painted the sky and clouds as you see them, over the existing vanes of the windmill. As soon as I laid in the sky, the water reflections became apparent and the balance of the entire painting was apparent.

Zebra 1


This zebra painting originally came out very flat. Later I added the deeper black tones to enhance the countours. It was still dull, until I popped the image by adding pinks and blues for the reflected light. I'm pleased with it now! Sent this one off to the Transparent Watercolor Society show in spring 2008.

Sunday, February 24, 2008

Lady in Red


Here is a picture of a performer for a festival, waiting her turn to perform. Heavy color saturation in this watercolor.

Lavender, Los Olivos


During my summer trip to Cambria, I painted a watercolor per day. This is a painting of a lavender field, a favorite subject which I return to often.