I grew up outside of Chicago, Illinois, when there were still patches of open prairie and grain elevators in the suburbs. I moved to Los Angeles in my teenage years and have lived in California ever since.
I am primarily a self-taught artist and have been drawing and painting since I was 3 or 4 years old. My method is to focus on one medium at at a time until I fell reasonably proficient.
I work within the classical and impressionistic tradition of landscape, figure and still life painting. My training does include course work at Blackburn College, Il., Associates in Art, Los Angeles, and continued studies under award-winning watercolorist Vivienne Oldknow. I am a member of the Oil Painters of America.
I strive to paint beautiful, color infused images that bring tranquility and a meditative atmosphere to the home environment. While I find the process of creativity both stimulating and challenging, it is my ultimate satisfaction to capture the elemental interactions of nature and life in a moment of time. My subject matter is drawn from the world around me and from photographs, many shot by my husband, Tony Chong. You will see many of his photographs on this blog.
I recently enjoyed a great exhibit at the Huntington Library of Constable's 6 foot oils and full size sketches. The sketches were very impressionistic (60 years before impressionism) but Constable then did them over in the required, tight style of the day where every leaf on the tree was defined. He liked a Z-shaped composition with theatrical lighting effects to force your eye to move around the canvas. This is my attempt at a Constable-style picture, rendered rather small and in watercolor rather than in oil. The original is startlingly vivid in tone for a watercolor. (Sold)
A watercolor where I was practicing layering colors and creating transparent reflections. Would you believe the underlying color on the table is a hot pink? This is a charming German Hummel figurine that dates from 1952, quite different from the Hummel figurines I remember seeing in America. A loan from cousin Vivi to practice figure drawing.
Something beachy for on-coming hot weather. I'm practicing people--this is your basic stick figure! This is a watercolor. The foreground achieves added interest by scrunching plastic wrap on the wet paint, then doing over painting on the dry page.
This one is just for fun, a little picture of an English cottage intentionally done "Kincade" style. The gnome was a last minute addition to solve a flaw in the watercolor paper!